Anna Glynn is an award-winning contemporary Australian artist who draws on a diversified practice that incorporates painting, drawing, moving image, animation, sculpture, installation, writing, music and sound.
Her international reputation has grown through interdisciplinary collaborations of art and science exploring landscape and nature to create site-responsive artworks examining the amplified response that a physical engagement with the natural environment has the power to evoke. She has been commissioned in 2018 to collaborate on ‘Art, Ecology & Science Project’ in USA and Sweden as well as The Art of Threatened Species project in Australia.
In her exhibition Promiscuous Provenance which tours 2018 – 2020 she indulges her perpetual curiosity to lead her back in time to an intersection of worlds by re-interpreting images of the Australian colonial painters. These artworks express a nostalgia for an antipodean wonderland before the imprint of colonization was stamped over the landscape and its inhabitants - a world of fantasia, a place on the cusp of reality and imagination, populated by bizarre reimagined hybrid characters and featuring strange natural history tableaux.
She has been selected in 2018: for the BOAA, Biennale Of Australian Art, finalist in the (JADA) Jacaranda Acquisitive Drawing Award, Waterhouse Natural Science Art Prize and finalist Ravenswood Australian Women's Art Prize. In 2017 her work was acquired for the Parliament House Art Collection Australia and she was a finalist in the KAAF, Kilgour Prize and the Ravenswood Women’s Art Prize. In 2016 her moving image work won the Noosa Art Award and was a finalist in the Heysen Prize for Landscape. Her moving image work ‘Presence’ was a finalist in the Mandorla Art Award and acquired for the St John of God Healthcare collection, Australia. In 2015 her video ‘The Sun Worshipper’ was selected for the Byron Bay International Film Festival and was a finalist in the Whyalla Art Prize. In 2015 her drawing ‘Awaiting Discovery’ was the recipient of the Kedumba Drawing Award. In 2013 she was a finalist in the 'Australian Art in Asia Awards’ recognising her ongoing commitment to international collaboration. Her film 'The Traveller’ won the Animation section at the 2010 International Film Festival, Ireland and her moving image work ‘Verse Versus’ won the 2009 Australian Historic Houses Trust, Meroogal Women's Art Prize. In 2009 her narrative painting ‘Brave Hunter’ was chosen as the iconic Australian image for the cover of ‘A Concise History of Australia’. In 1998 she received an International Women’s Day Award for contribution to 'Women, Art & the Community'.
Her moving image works have gained international awards: 'The Traveller’ won the Animation section at the 2010 International Film Festival Ireland and was selected as the premier work to launch the Albury Regional Gallery 2011 Outdoor Digital Gallery. In a unanimous decision by the judges, her digital video artwork ‘Verse Versus’ won the 2009 Australian Historic Houses Trust, Meroogal Women's Art Prize.
She regularly exhibits internationally: including the Art Museum of Zhu Qi Zhan, Peking University/ China & the Kyoto Museum / Japan. Her soundscape work 'Yarra River Stories' was featured on the Australian Broadcasting Commissions Radio National ‘360 Documentaries’ in 2011 and 2013.
She has been included in the following publications.
- Contemporary Australian Art
- Artists and Galleries of Australia
- A Dictionary of Women Artists in Australia
- Who’s Who of Australian Visual Artists
- A Buyers Guide to Australian Art
- National Association of Visual Artists
- Arts Law
- Full Writer Member, Australasian Performing Right Association
Her book, Strange Memories, is sixty pages featuring twenty five of her paintings. It explores the resonance of a journey in time through word and image.